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Two fabled, previously unreleased soundtracks — hallucinogenic orchestral music for Patrick Chaput, and a waltzing, rhythmic onslaught for Robert Benayoun — complete with an extensive booklet of essays, interviews, secrets and rare images from both films.

Jarvis Cocker’s thrilled to bits — ‘Here, at last, is the the soundtrack to maybe THE underground film of all time in all its crazy daisy glory’. A mental cut & paste of Czech orchestras, folk, jazz and experimental sounds.

Zany, Alaskan, harmonica-led electro-pop, with a case of Krautrock-and-the-Moroders, originally released in 1980.

Anatolian funk rock revive.