Twenty-three Errol T dubs of Joe Gibbs hits released between 1980 and 82, at the start of the dancehall era.

Niney and Tubby’s dubs from 45s, 1976-1978. Total murder. Heavyweight genius.

A jackpot of no less than forty-four late-seventies toasts, produced by Errol T and Joe Gibbs.
Brilliantly exuberant wordplay over classic Mighty Two rhythms.
Droopy drawers, 44; stuffed with winners.

Accompanied by Misty In Roots, at London’s Matrix Studio, early in 1987. This anniversary issue adds six studio and seven live recordings, all previously unreleased.

Joseph Hill, cuz Albert Walker, and pal Roy Dayes at their torrentially productive peak.
They came together in 1976 as the vocal trio The African Disciples. The next tear they re-named themselves Culture, and joined Joe Gibbs’ operation. In just one single year they cut enough top-quality sides to comprise four LPs, including the epochal Two Sevens Clash.
Here is the first anthology of those wonderful early singles, complete with dubs, and walk-ons for I-Roy, Nicodemus, U-Brown, and co.

The classic original album, plus a crazy load of extras, including crucial Upsetters like Fever, Hail To Power, The Long Way, etc etc.
Mad bargain.

Barrington Levy, Poor Man Style; Roots Radics, Scientist and Jammy Strike Back; The Viceroys, We Must Unite; Tristan Palma, Settle Down Girl

Munificent survey of Errol Brown’s late-seventies, early-eighties 12” remixes — and Sly & Robbie do-overs — of the glories of the Treasure Isle label, with Sonia Pottinger now at the helm.

Reviving three vintage Trojan selections: Jah Thomas Meets King Tubby Inna Roots Of Dub, Jah Thomas Meets The Roots Radics Dubbing, and Hidden Treasure.
With the Revolutionaries, later the Roots Radics, and Scientist.

The first disc contains his 1982 LP — irresistible early dancehall — plus contemporaneous twelves sparring with the likes of Cornell Campbell and Barrington Levy. The second rounds up some Joe Gibbs heavy-hitters by other deejays and singers, from the same period.

Lloyd Charmers productions, from 1968 into the early seventies: B.B. Seaton, The Gaylads, Ken Parker, U Roy, I Roy, Max Romeo… Alton Ellis’ killer version of It’s A Shame…