What a great record. Soaring early-eighties soul from Bill Withers’ spar — original, loose-limbed and funky, full of emotional intelligence and good vibes. Includes Love’s Too Hot To Hide, two-step heaven.

His neglected 1970 masterpiece.
The first side brings into focus the best things about Bitches Brew, with lethal menace; the second lays out a blueprint for Ambient and Fourth World.
Hotly recommended.

‘A transcendental new music,’ wrote Lester Bangs, ‘which flushes categories away and, while using musical devices from all styles and cultures, is defined mainly by its deep emotion and unaffected originality.’

Mono LP from Music On Vinyl.

From 1964, with Herbie Hancock, Ron Carter and Tony Williams on drums; and young Sam Rivers replacing George Coleman (pushing the sound further out, and spiking Davis’ signature cool).
‘High-energy live versions of songs by Rodgers & Hart, Cole Porter, and Richard Carpenter, as well as a restlessly fast-paced take on the Davis staple So What.’
Vinyl via Get On Down.

‘One of the dozen albums that anyone interested in the outer limits should own, or be owned by. Because it cleaves closest of Miles’ masterworks to funk groove and rock impact (Davis was trying to reach out to a young black audience), it’s easy for the jazz novice to get into. But once you’re into it, it’ll take you as far out as anything Davis (or anybody else) ever recorded’ (Simon Reynolds).
‘The first hip-hop/house/drum’n'bass/breakbeat album I’d ever heard’ (Greg Tate).
LP from Music On Vinyl.

Mono LP from Music On Vinyl.

LP from Music On Vinyl.