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The Vannier collaborator births this Finders Keepers’ imprint with a late-sixties knockabout conceptual-pop riposte to musique concrete: found sound, industrial noise, piano jazz, avant orchestration, signature cimbalom.
The original 1957 performance — kotos and marimbas alongside HP varieties like the Chromelodeon and the Harmonic Canon — with splendid artwork including rare documents and photographs.
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