The sequel to Calling Out Of Context; another precious extraction from Arthur’s original, completed 1/4” tape masters.
Russell himself compiled this material thirty years ago, on three separate test pressings, labelled El Dinosaur, Indian Ocean and Untitled: five brilliant alternate versions of key works — including This Is How We Walk On The Moon — and four offerings new to the world, triumphantly culminating in the rapt, restless Ocean Movie. Terrific.
The first volume is a mid-seventies masterpiece, Americana touching on Copeland, Ives, and Brian Wilson, with AR ‘re-awakened to the bright-sound and magical qualities of the bubblegum and easy-listening currents in American popular music.’ Volume 2 is a moving, pastoral orchestral work, conducted here by Julius Eastman. Also included are two of Arthur’s most elusive compositions, recorded live in 1975: Reach One is a minimal, hypnotic ambient soundscape for two Fender Rhodes pianos; Sketch For Face Of Helen commemorates his colloborations with Arnold Dreyblatt, recorded with a keyboard, tone generator and — with echoes of Moondog — recordings of a tugboat rumbling across the waters of the Hudson River.