The two 1961 New Jazz masterworks, with Mal Waldron, Ron Carter, Booker Ervin and co.
The great 1960 recording, with big band and both Paul Bley and Bill Evans on pianos, twinned with an amateur recording of a complete concert by the Septet, later in the same year.
The Atlantic albums Worthwhile Konitz and Inside Hi Fi (with 1957’s The Real Lee Konitz, mostly a quartet date, thrown in).