‘Three fabulous gems from the Cameo-Parkway catalogue ensure another winner: The Orlons’ I Ain’t Coming Back, I Love Him So by Nikki Blu, and Comin’ Home Baby by Dee Dee Sharp.’ Loads more lovely stuff.

Funk and soul from mid-seventies Detroit — with that layer of gritty sophistication you find in Marlena’s Blue Notes, and Esther Phillips’ Kudus of the time.

Expert, highly entertaining survey of DIY punk in its late-seventies heyday.