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Ten killer dubs of Barrington Levy, mixed at Tubby’s, mostly unreleased. (The album was shelved in late 1980.)
Ruthlessly brilliant dubs of classic Linval Thompson productions like Wayne Wade’s Poor And Humble and Johnny Osbourne’s Kiss Somebody. Courtesy of the Roots Radics at Channel One, by way of Tubby’s. De Materialize puts it perfectly.
Anthony Maher’s 1988 dub album, an Australian commingling of JA science and UK post-punk and Industrial.
Second, 1982 album by the loose collective, featuring Prince Far I, Bim Sherman and Jah Woosh, and members of the Roots Radics, Slits and Glaxo Babies. ‘Heavy dread vibes, earthquaking dub and classic deejay chatter, recorded in the flash, heat and studio experimentation of post-punk London.’
With a 24” x 12” fold-out poster insert and digital download card.
Including a killer mix of Homeward Bound, the Creation Steppers’ blazing update of The Skatalites’ Confucius; a heavy Spear and a heavier Fred Locks (with Reggae Reggae Sauce rocking the mic).
A late-eighties Bunny Lee production originally released on the Imperial label in Canada, with Rhythm Twins excursions on Death In The Arena, Love Me Forever, My Conversation, Roots Natty Congo, Storm…
An expert sampling of the original Studio One dub LPs, plus a couple of wild cards.
This started out a couple of years ago as a grounation drumming session above the old headquarters of the Mystic Revelation Of Rastafari, in Wareika Hill, Kingston, JA. Four funde, a repeta and a bass drum. Back in London, contributing flute and guitar, Kenrick Diggory unbottled the deep rootical psychedelia and sheer awe of Hunting — the Keith-Hudson-versus-Count-Ossie wonder of the world — and Tapes added electronics, a shot of Drum Song… and a giddily intense binghi dub.
Aka the Clem Bushay All Stars, including Candy McKenzie, Dennis Bovell, Janet Kay, Jimmy Mack, Junior English, Moon Rocks and Zabandis…
From 1977.