Cutting his teeth at Impact! with Clive Chin.
The Heptones, Dennis, Swing Easy; an unforgettable lesson in dub, over the killer Ordinary Man rhythm.
‘Leave the studio, sah!’ ‘Leggo dat an hold dis.’ Listen everything.’
Crucial crucial crucial crucial.

A baker’s dozen of rare or unreleased dub instrumentals by Augustus Pablo at the height of his powers, mixed at King Tubbys.
First the set of Prince Philip dubplates from Digikiller, stateside; now this from Only Roots in France.
Biff!... Baff!
Knockout stuff.

Dub counterpart to the Experience LP, with assistance from Prince Jammy.

A stupendous haul of sound-system specials and inspired experiments conjured from some of the greatest reggae rhythms of all time, from the inner sanctum of King Tubby’s studio in the mid-seventies (where Philip Smart was second engineer).
Seething with lethal touches of Tubby; dotted with head-spinning walk-ons for Hugh Mundell, Johnny Clarke, Jacob Miller and co; steeped in the genius of young Augustus Pablo, Smart’s childhood friend.
A staggering turn-up. Utterly crucial.

Heavyweight dubs of DEB murder like Words Of The Father by Earl Cunningham, Warning by Desi Roots, Mop & Cry by Freddie McKay, Wood For My Fire by Black Uhuru, Slave Driver by Dennis Brown, Armed Robbery by Junior Delgado, Augustus Pablo doing over Swing Easy…

The dubwise companion to the recent Roots From The Record Smith compilation, featuring the B-side dub versions from the original 45s, nearly all taken from master tapes, and culminating cataclysmically in Tubby’s out-of-this-world dub of Ronnie Davis’ Power Of Love.

Including a secret-weapon version of Baltimore.

Genius dubs of Barrington Levy’s Robin Hood set.
By now aged 20, Scientist had got his break mixing the singer for Jah Life: ‘When I first met King Tubby I always been telling him that ‘I can mix, I can mix’. And he always telling me, ‘Well, kid, first of all you should be in school. You’re smoking too much weed. Several big men try to do this. You’re a kid. Nobody not gonna allow you to mix.’ I would keep on bugging him, bugging him, bugging him. But he always just had me doing TV repairs, fixing the amplifiers and stuff for him. One day when Jammy failed to come — like he always do most of the time — Tubby’s made me a bet. He said, I bet if I send you around there to work, you wouldn’t know the first thing to do. And he pretty much lost on his bet. The first record I mixed went number one.’