At last, after a long break… WM006.
A four-track EP by Morgan Louis — from the 004 showcase — plus three locked grooves.
Pedigree, locomotive, deep steppers.

Moritz from Basic Channel and Rhythm And Sound, alongside Vladislav Delay (Chain Reaction) and Max Loderbauer (Sahko): a dream crossing of classic Berlin techno, On-The-Corner Miles, Larry Heard, and Can.

At its most open, shifting and expressive to date. For all the music’s complexity and deep coherence, freedom is the key. At times it grooves hard; at others it’s lush, romantic.
With Tikiman and Marc Muellbauer.

A handful of LPs signed by Moritz!

At its darkest and most driving. The group is clear and unanimous — this is their best yet.

Tony Allen, Max Loderbauer and Moritz von Oswald; mixed by Ricardo Villalobos.

DJ Nobu & NHK yx Koyxen.

Two spaced-out, synthed-up, house tearaways; a chunk of totally fucked-up dancehall; dub techno. A guitar solo and tincture of Fleetwood Mac to boot. TTT measures.

Aka Jan Katsma of Bunker associates Syncom Data, stepping out with his first full solo release in three years. Six feverish, dubwise synth excursions, rumbling with restrained power; with passages as body-rocking as recent Katsma/SD contributions to mixtapes by Dettmann and Stingray, but always verging on acid disintegration.

A mouth-watering collaboration; plus flips from Al Wootton and Ottomani Parker.
‘The opener Last Breath is a late-hour pelter: relentlessly moody and hypnotic, with heaving sub-bass pulses. Tunnel Drift switches lanes with its distinctive tech-stepping 90’s throwback style; a forward-thinking take on a nostalgic sound.
‘Al Wootton’s contribution is characteristically fresh and inventive dubbed-out house, with his signature layering of atmospheric textures, and a deep and groovy bassline.
‘After a blissful opening, the Ottomani Parker excursion overlays driving percussion with horns, keys and live hand-drumming; an uplifting finale.’

The first Paid Reach — in collaboration with Ominira; edited and produced by Kassem Mosse.

A fresh set of stripped, rubbery, bass-heavy grooves, to consolidate his Idle Hands debut; seaming FWD-night vibes, and Skull Disco, tribalism and grime.