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A set of five throbbing, twinkling, oscillating excursions on analogue synth. Cosmic but intriguingly personable. Have a listen!
Nas, Kurtis Blow, Danny Brown, Shabazz Palaces, The Roots, El-P, Robert Glasper, No Limit…
Some words from Dynamo Dreesen…
“Have you ever heard of the Eva EP by Web on Fat Cat Records? A few years ago it was my introduction to Web. I knew Fat Cat Records was interesting and diverse, they were known for releasing mainly experimental electronica and psychedelic folk music. The Eva EP by Web was Fat Cat’s start with their label mission from their record shop in central London in 1996. This EP has it all for me! A fusion of jazzy, bouncy, cosmic balearic, warped synth techno.
“Takuya Sugimoto aka Web while an art student in Osaka around 1993 began recording Detroit Techno, Chicago House, Electro and Electronica. He was helped by Ken Inaoka of Syzygy records, one of the first independent techno record labels in Japan, by releasing his first productions. Takuya then continued to release under several aliases, such as COLOGNe, Dja-zz, Gana, Ura Ura and Sammansa.
“While in Japan in 2019, on a 12 day Dresvn tour I was curious to know what had happened to Web. I asked Saito of Newtone Records in Osaka if he knew anything of him?
“Magically a month later Takuya sent me 16 unreleased tracks produced in 1994/95 stored on dat cassettes and forgotten about until now. Of those 16 tracks, eight became The Sound There.”
DJ Richard, Galcher Lustwerk, Young Male and Morgan Louis (not necessarily in that running order).
Very promisingly kicks off (like the new Kanye) with a deadly shot by our own Budgie.
Plus four exclusive, brand new tracks by the host himself… and the Bruk continuum in full effect, via contributions from Dego, Seiji, Kaidi and co.
Six songs juxtaposing torrents of sliced and processed audio with the warmth of the human voice.
With Norah Jones, Josh Mease, Clare Manchon, Natalie Beridze, Pascal Le Boeuf, and Desmond White.
‘Answers the question of what a collaboration between Björk and Venetian Snares would sound like, if both were more aware of the drawbacks of both diatonic tedium and ceaseless harmonic wasteland, respectively.’
‘A hard-grooving, vividly evocative EP, deeply rooted in nineties drum & bass, by this Milan-based, Brazilian producer.
‘The original mix of Dynamo rotates its vast spinning coil through a landscape of cavernous basslines and spectral vocals; then Etch fires up a full jungle do-over.
‘Breath - Dance enacts and probes a psycho-physical push-and-pull, alternating caustic breaks with ambient introspection.’
