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Peter Brotzmann
14 Love Poems
Cien Fuegos
Our favourite of all his records.
From 1984, inspired by a Kenneth Patchen chapbook, it favours tenderness, lyricism and expressivity, but without foregoing Brötzmann’s characteristic squalling ferocity and angst. It never drags: he plays baritone, tenor and alto saxes, different clarinets including bass clarinet, and tarogato, bringing every trick and technique to bear on a whirl of feelings and emotions, in pieces nearly all less than five minutes. Bar the gorgeous opening reading of Lonely Woman, it’s all improvised, but utterly compelling, reflective, melodious, ravishing and rawly personal.
Beautiful music; hotly recommended.
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