
A sophomore, next-level three-tracker, intense and roiling: singer Mbene Diatta Seck in sombre consideration of street-kids and parental neglect, buoyed by propulsive drumming and trenchant bass; a second version without vocals, laying bare the poly-rhythmic interplay between marimba and percussion; and a mesmeric six-minute instrumental, with Thierno Sarr grooving out on the top string of his bass, bringing an elusive Manding flavour to the deep Mbalax mix.