
‘Herbie took the basic instrumental tracks of Quasar and Water Torture to Patrick
Gleeson’s Different Fur Studios, hoping to learn how to play the Moog synthesizer. Instead, Hancock let Gleeson contribute layers of sound to both pieces: on Quasar extending the horn playing of Bennie Maupin, Julian Priester and Eddie Henderson through electronic accents; on Water Torture providing a ghostly counter melody on the Mellotron (using samples from string instruments). These studio enhancements give Crossings an
otherworldly dimension, making the album feel bigger and more fantastical, yet the Sextet’s playing — recorded without much in way of edits or overdubs — keeps everything grounded. Indeed, Gleason’s additions are often so natural that it is hard to pick out what’s acoustic and what’s synthesized.’
The second LP by the sextet aka the Mwandishi Band, and Herbie’s last for Warner Brothers, clearing the way for the Headunters.
LP from Music On Vinyl.