Honest Jons logo

Honest Jon's has enrolled with the European Union 'Import One-Stop Shop'. For EU customers, this means that you will not be charged any additional VAT or duty, nor any handling fees. No further costs.

Eniola Famodimu’s UK house monster back to stalk the earth, more than twenty years on.
Co-produced and mixed by Chris Simmonds — hardcore HJ massive in those days.

Stone classic Detroit techno. Cosmic, fierce and free. Still thrilling.
Utterly essential.

Terrific, gospelised, soulful disco by Gwendolyn Dennison, produced for P&P by Arthur Manning and P. J. Wyatt, making a change from Greg Carmichael or Patrick Adams.
Theo and Floating Points both rinse it.

No surprise that JC is murder over this scorching do-over of Winston Riley’s Nothing Is Impossible rhythm, as nailed originally by the Interns / Viceroys.

Spine-tinglingly yearning, yet dignified, rootical rocksteady classic — one of Phil Pratt’s top tunes, limpidly delivered by Lynn Taitt — with an ace Tommy McCook version.

‘As deeply rooted in soul’s past as you’d expect, but it never feels self-consciously retro… strikingly raw, racked with very real emotion’ (The Guardian).

‘By turns gleeful, sensitive, urgent and ruminative, this is a brilliant set that plays to the trio’s formidable strengths… Hearteningly delightful contemporary music-making’ (The Guardian).
‘A spare, de-cluttered, étude-like qualitymusic of sometimes unassuming but penetrating emotion and structural focus… full of the detail given to artists with powers of judgment to match the command of their instruments’ (Jazzwise).

With Larry Young, Elvin Jones, and Bobby Hutcherson.

‘Young is exceptional, very much on form, and Hutcherson makes an enormous contribution to a slower-paced and more meditative session than he’d normally favour’ (Penguin Guide to Jazz).
‘Bittersweet and beautiful, Street Of Dreams will be enjoyed by anyone who loves Idle Moments’ (All About Jazz).

Full-on, sex-hungry, hard-grooving, rock-steady, into-the-future electric blues.
Check out Muddy dancing in his last minute on stage. Otis Spann led the closer — torch-carrying verses by Langston Hughes — because the boss was so knackered.

Transportingly sublime, dazzlingly virtuosic Carnatic chanting in Sanskrit about female divinity, accompanied by mridangam drums, bells and tambura drone. Beautifully recorded, in Chennai. The chorus singing is the coup de grace.
Ravishing, restorative music; hotly recommended.

Lovely, rootsy, melancholic, multifarious music from Angola. Check the sublime, chugging proto-house of Kazum-zum-zum, to start, with its twist of Afrobeat; then the hypnotic Fourth World marimba of Kizomba Kya Kisanji; then the expressive soul of Dembita, flowering out of Baden Powell… Warmly recommended.

LP fresh in.

Fifty-six fearless forays deep into the consecrated crates.
ALC does what he does best, with Roc Marciano rocking the pulpit; Budgie wheels back to the UK scene, dazzlingly rallying Knucks, Novelist, JayaHadADream, Joe James, Ragz Originale, Natanya, Qendresa, and full crew.
The CDs are resplendently dressed like a Bible, with foil debossing, the full monty. Lovely stuff.

1234