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‘Rich, wandering, minimal wooziness, with a subtle complexity and an elegant sense of drama.’

‘Classic vinyl series.’

Secret-weapon late-70s mix; more light-footed, upful and optimistic.

‘Classic vinyl series.’

Don’t miss this late set, from 1966, inspired by an orchestra tour of India, Sri Lanka and the Middle East. With the out-and-out Strayhorn-Ellington masterpiece Isfahan.

His startling 1970 comeback for Reprise, recorded at Fame Studios in Muscle Shoals, Alabama. A blend of blues, Sly Stone and country rock loaded with the Richard scream, rollicking piano and booting saxophone. ‘He was just singing his booty off,” recalled Travis Wammack (who wrote Greenwood, Mississippi for the session).
The title track kicks off side two with a staggering dollop of super-heavy funk: ten increasingly frazzled minutes of breaks-and-beats heaven pilfered by everyone from Big L and Lord Finesse to Prodigy.

Crucial eighties soul. Pedigree hangdog.

Riveting 1965 review of his own staggering classics like Death Letter and John The Revelator, rinsed by everyone from Captain Beefheart to Jack White.

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