Previously unreleased but killer.
Jah B’s singing is softly sublime; discreetly channeling Bob Marley. People have wondered whether it’s a young Jah Batta; but insiders say it’s Al Moodie, from the same session as Bull Bay Jumping.
Both dubs are genius Wackies: trenchant Utopia rhythms, with shimmering, majestic brass.

Terrific, deep roots, protesting the imprisonment of Desmond Trotter for the 1974 murder of a US tourist in Domenica. (Trots was fingered by a young lady from Antigua called Pretty Pig, the court was told.)
Originally released on the Jumbo Caribbean Disco label run by Brooklyn’s African Record Center shop. Discomixes, both sides.
Don’t miss it.

Rudie will recognise Bobby Sarkie from The Tartans and The Immortals (not to mention his solo roots killer Better World). His singing here is expertly reined in by desolation, numbness and regret, over a hollowed-out, mesmeric rhythm, with some nasty synth-work and nonchalantly brilliant effects on the drums. The vocal cut is more than a minute longer than the version which opens the Jah Son Invasion album with such a flourish; and the mix is different, with more prominent keys, and toned-down bass. It’s previously unreleased, like the dub.
The B-side is booby-trapped with sensational instrumental excursions on Junior Delahaye’s Working Hard For The Rent Man and Jackie Mittoo’s almighty Drum Song, which conclude the same original tape-reel as Over And Over. Rent Rebate features masterful, boppish soprano saxophone-playing by Roland Alphonso, and restrained guitar interjections by Barry Vincent, with a Spanish tang. The superb hand-drumming on Mount Zion is by Ras Menelik; and it’s Mittoo himself on organ (or just maybe Clive Hunt, Wackies can’t quite remember).

Magnificent, hypnotically insurgent, boogie-down bubblers, with Sugar Minott at the mic, leading burnished horns and dapper, soulful backing vocals. Like a cross between Ain’t No Stopping Us Now and Armagideon.
Jerry Johnson heads out on the flip: a killer uptempo instrumental, with swirling brass over a pared-down, propulsive rhythm.

An intrepid, winning survey of Wackies’ precious first forays in Digi. Old boys Horace Andy and Milton Henry deal the aces. Step forward, Chris Wayne.
With three previously-unreleased sides.
Silk-screened sleeve.