Triumphantly reviving all-time-classic Jammy’s. Proper dub, too.

Two great sides: MF in fine sufferers style on a flinty Roots Radics version of No More Will I Roam (though you can’t refine Niney); and a vibesing Rockfort Rock from Ranking Joe, on the flip.

Kicking off with his magnificent 1963 hit Cry Baby — both sides of all fourteen sevens. Superb sixties soul music, shaded out of doo wop, brimming with gospel.

Startling digi do-over of Yabby You’s great Jesus Dread rhythm, with a driving, tumping dub and sermonizing keys. Mis-credited to Phillip Fraser on the label.

Horatian worries on the wicked E20 rhythm.

‘Recorded for FMP in 1972, King Alcohol is one of the landmark recordings of free jazz in Europe, a mind-blowing studio session featuring Rüdiger Carl on tenor saxophone, Günter Christmann on trombone, and the astonishing Detlef Schönenberg on drums. Volatile and precise, anticipating much of the future sound of free music in Europe but also paying homage to American antecedents like Roswell Rudd and Archie Shepp, King Alcohol is truly a lost jewel. Plus a disc of newly discovered, previously unreleased bonus tracks.’

‘CD Of The Week… the best soul album — in the real sense of the word — you’ll hear this year… classic, blistering afro-beat’, Daily Telegraph; ‘as tight as a pressure cooker… fierce and fun’, The Wire.

King Ayisoba is a star in Ghana. His kologo-playing is both melodic and percussive. With his producer Panji Anoff he changed the Accra music scene by using traditional instruments together with the beats, bleeps and bass drawn from hip-hop and dancehall by the local, mid-90s ‘hip life’ scene.
‘King Ayisoba’s Modern Ghanaians is the fastest selling cassette by an artist from the northern part of Ghana. The album’s popularity started in Bolgatanga where the artist is from, but has spread through the other regions like harmattann bushfire’ (Ghana Gazette, 2007).