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Reaching solo-piano explorations in blues, jazz and classical music by the Free Jazz pioneer, in 1970; inspired by the revolutionary spirit of the times, and — opening with a dedication to Don Cherry — the New Thing.
A second set of piano improvisations, one year after the first, now more extended, percussive, insistent, and tumultuous; explicitly enraged by the recent murder of George Jackson by a San Quentin guard, and the massacre at Attica Prison.
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