‘Among the most influential European ensembles of the 21st century, this chamber group’s work on ECM and Hubro has redefined the boundaries between jazz, contemporary composition and folk music, developing a highly distinctive language built on restraint, timbral nuance and collective interplay…
‘Over time, the Ensemble has developed a language that is immediately recognizable — marked by reduction, clarity and a deep attention to sonic detail. While each release has its own character, the underlying aesthetic remains consistent: a focus on the inner life of sound itself. Rather than foregrounding gesture or virtuosity, the music draws the listener toward the smallest elements, where meaning emerges gradually through texture, spacing and timbre. The listening experience becomes one of concentration and proximity, where each sound carries weight, and the accumulation of detail forms a larger whole. References may be sensed — to early polyphonic music, Norwegian folk traditions, or more recent experimental practices — but these are absorbed into a singular musical language that resists categorization.
‘Non Sonett advances the group’s integration of electronics as a fundamental part of the sound world. Each musician engages with electronic elements alongside their acoustic instruments, creating a layered and dynamic sonic environment. At times, this leads into extended, exploratory passages reminiscent of analogue musique concrète; at others, electronics operate almost imperceptibly, subtly altering and extending the acoustic textures in real time.’