‘At the heart of the album lies the resonance, focus and slightly surreal shapes conjured by guitarist Bill Frisell. These gain extra substance by Potter’s arrangements for trombone, clarinet and violin which, added to Potter’s own strident tones, add extra layers of tension and sonic possibility. Bags of detail, soloists in elegant form and the narrative drive of the excellent Nate Smith and Burniss Travis on drums and bass, complete an album that engages and grips.
‘The set, bookended by the stirring fanfares and collective improv of the title track, unfolds thrillingly through layered melodies and blues-rooted solos, hints of Americana and seriously funky grooves… Two bonus tracks are covers featuring the core quartet and are worth the price of the deluxe release’ (Mike Hobart, Financial Times).

A meditation on the white abolitionist John Brown’s 1859 raid on Harpers Ferry, which aimed to ignite a massive armed slave revolt across the American South.
“Looked at from one angle, John Brown was a religious zealot who used violence to try and achieve his aims. From a different angle, he was on the right side of justice, and gave his life hoping others would be free.”