Casio and percussion nut-outs from Dar Es Salaam, Tanzania. Songs about the concrete jungle, infidelity and voodoo, Mchiriku-style.
With Virgil Jones, Clarence Thomas, Melvin Sparks, Jimmy Lewis, Buddy Caldwell and Harold Mabern. Roars out of the traps with a low-slung Express Yourself; then Joe Dukes’ Soulful Drums; then a cooking Super Bad.
The Imperial Bodyguard Band singer, who tuned his guitar like an oud. Oromo reasoning about love, existence and resistance, with a tasty Arab twang. Mississippi presented him on vinyl recently.
An excellent Echo Minott LP for Jammys in 1981. Sly and Robbie, Deadly Headley, Winston Wright and co. The opener is a killer next take of the awesome Open The Gate Bobby Boy rhythm.
Triumphantly reviving all-time-classic Jammy’s. Proper dub, too.
JB is the name the deejay Trinity uses when he sings. Here he is, nailing a sombre, mid-tempo bubbler for Sly and Robbie; alongside General Lee, laid-back and entertaining on Unmetered Taxi. Classic, rootical, early-nineties rubadub.
Buoyant anthem to ghetto people boutiques.
You can get anything on Princess Street, ‘from a pin to an anchor… Just have some cash, and you will conquer.’ Not like Orange Street, which is always getting shut down by plod.
Transfixingly stone-faced dub, for all hard-core Channel One massive.
A kind of Dennis Brown / Studio One cut-up. Written by Junior Brammer and Jah Life, according to the label. Talk about taking it easy.
This Mizell Brothers production from 1975 is surely their masterwork. No hanging about on the grid — the sublime opener Tell Me What To Do flies like a Byrd; followed by the bonafide Loft classic Los Conquistadores Chocolates, a psychedelic, heads-down floor-filler which hit big at Ron Hardy’s Chicago Music Box as well as in NYC. Fantasy was a Paradise Garage staple; and Shifting Gears is here, too — a seriously funky breaks and block party anthem, heavily sampled by classic hip hop. It’s a must… not least in the form of this 40th anniversary LP edition, with six previously unissued tracks — five tasty new numbers and a skeletal version of ‘Can’t We Smile?’
Startling digi do-over of Yabby You’s great Jesus Dread rhythm, with a driving, tumping dub and sermonizing keys. Mis-credited to Phillip Fraser on the label.
Horatian worries on the wicked E20 rhythm.