Representing every Chess artist recording at Muscle Shoals, 1967-69. The likes of Etta James, Irma Thomas, Laura Lee, Bobby Moore and Mitty Collier, in the era of the studio’s second great rhythm section, the Swampers. Plenty of unfamiliar glories, and throwing in three instrumentals by Charles Chalmers and crew.

This is the first-ever overview of Bettye Swann’s career, from Money to Capitol, Fame to Atlantic. The stuff with Wayne Shuler on our own compilation is some of the greatest soul music there is — but this is a must for its inclusiveness, and full of treasures.

Kicking off with his magnificent 1963 hit Cry Baby — both sides of all fourteen sevens. Superb sixties soul music, shaded out of doo wop, brimming with gospel.

More compelling salvage from his 1970s period with Clinton Moon’s Showtime Productions, debuting the ballads We’ve Got To Get It Together and Child’s Play, the social protest of Today Is A New Day and Singing In Poverty, and dancefloor action like Total Love, A Case Of The Boogie and the sensual Gimme A Little Action — besides top-notch alternate mixes, like So Tied Up and What’s It Gonna Be from The Show Must Go On, and new versions of Alpaca Phase Three’s Someone To Run To, featuring a previously unheard SD rap, and Touch Me With Your Love, adding more than a minute…

Geezers, this time, no groups or female singers. Old friends reinforced by series debuts from the likes of Herman Moore, Dan Brantley, Roy Lee Johnson and Anon, sticking close to the golden years, 1966-8.

Her second and third Motown LPs, from 1962 and 1963 — irresistible, timeless pop — making her its biggest star. In authentic mono for the first time on CD, using fresh transfers of the original master tapes.