Limber, improvisational twelve-minute version, never before released, complete with an instrumental cut.

Startling digi do-over of Yabby You’s great Jesus Dread rhythm, with a driving, tumping dub and sermonizing keys. Mis-credited to Phillip Fraser on the label.

Horatian worries on the wicked E20 rhythm.

Basic primer; excellent film.

A title track which never ages, unfortunately.

Characteristically masterful singjaying; duetting with himself, for added dancehall vibes. The message calls for self-respect to be tempered by humility… probably a bit rich coming from KK. Sick rhythm.

Highly recommended — previously unreleased digi fire from the same sessions and mould as He Was A Friend.

Celebrated late-eighties soundboy business — another of his very best, revived at last.

Tough dubs of a clued-up selection of Techniques rhythms, from 1976, including Stalag, Cheer Up Black Man, and Johnny Osbourne’s interpretation of The Delfonics’ Ready Or Not. Ace.

Tough, late-80s UK steppers, with a Mad Professor dub.

Upful, true-born-scuffler sing-jaying over a crisp, late-eighties Mansfield McClean rhythm.
Life is for living, but watch your step; ‘dollars weak but life is sweet’.

Pious sex-pol, on a tuff Billie Jean lick. ‘When you come home, a next man asleep in your pyjamas… and then you charge fi murder, Jah Jah know. The man them a worries but the woman them a problem.’

Terrific selection of Joe Gibbs productions from 1970, featuring a clutch of killer Upsetter-influenced instrumentals, Niney and Andy Capp, and ace deejaying from Lord Comic.