Many of the rhythms are derived from a tape given to the studio by Sly and Robbie, containing their versions of recent Joe Gibbs hits. And there are brilliant treatments of Tribesman Dub — the rhythm for Tyrone Evans’ Black Like Me — and Wayne Jarrett’s definitive interpretation of Every Tongue Shall Tell. Elsewhere Jah Batta takes deejay duties - likewise Prince Douglas himself. (And there are lovely skewed graphics by team regular Leslie Moore, self-styled ‘LAM International’). But the deadliest cut of all reworks another gift, Steel Pulse’s Handsworth Revolution, which arrived in a parcel of records from England the same weekend as the session: March Down Babylon Dub, with Bullwackie himself at the microphone in his Chosen Brothers guise, as steely and apocalyptic as Douglas Levy’s fabulous production.