The original sleeve-note of Volume 1 reflected that ‘today, reggae music is reaching its peak and this album is a perfect example of the roots of its success. This is an exceptionally well put together album with various artists at their best.’ No one could argue - with spectacular contributions like Don Carlos’ Black Harmony Killer, Wayne Jarrett’s African Woman (to Baba Leslie’s Black Horns rhythm), Joe Morgan’s Basement Session, and the first time out for Stranger Cole’s intense Capture Land, later redone by Wackies and also Half Moon affiliates TAMU.
Volume 2 derives more from Wackies’ Sounds Unlimited Studios in New York, and aims rather for the Lovers in the dance. Ad hoc lineups like Wanachi (with Jah Jah’s Call also appearing on Creation Dub) and the Chosen Brothers - here it may be Lloyd Barnes with Wayne Jarrett on one track, and Leroy Sibbles on another — appear alongside regulars like ‘Jah Junior’ Delahaye, K.C. White, and those ‘three attractive young beauties’ The Love Joys — with a different mix of their version of The Abyssinians’ Sweet Feelings than turns up on their debut album.