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Carnival rumpus, DIY electro, out Compas. A haunting folk-song gone Kraftwerk; some rugged Rara, with a one-note bamboo-flute bass-line; some criss, horny Mini Jazz; a stiff shot of psycho-Compas. Boom.

Drumtalk folds the Ghanaian highlife of Mpese Mpese into a future-bass fault, from Hackney to Accra; on the flip, Sofrito dusts down some whirling, deep, minor-key business from Nigeria, 1982.