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Crisp visual record of Haino Keiji, Kawabata Makoto from Acid Mothers Temple, and Yoshida ‘Ruins’ Tatsuya making a dreadful racket in a Tokyo club, December 2008.

Viscerally churns together blues — Bo Diddley stands out — and tearjerking Japanese folk and pop, as if possessed. Immediate as a street musician off the rails. Brilliant at Cafe Oto in Dalston recently.