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Guess we’re coming to the end of the series, because surely this is a Lloyd Campbell production of The Revolutionaries, not a Niney. Anyway it’s total murder.

An early Freddie over Niney’s tough rhythm and genius production.

It’s a shame this departs from the original twelve-inch format (on Joe Gibbs, for some reason), but… another Niney masterpiece, killer Heptone roots, any which way.