The Sulayiti Kalungi Ensemble Of Kampala presenting dances, religious invocations and profane songs, to a barrage of percussion and fervent choral singing.
Two EPs of storming, squinty Shangaan Electro to herald the European tour of Tiyiselani, the Tshetshas and producer Dog, in the summer of 2011.
Saboso from mid-seventies Dar Es Salaam. Complex, fluid guitars and congas; pithy songs.
‘Little Thing’ began her singing career in the 1920s. This spans the last twenty years, with illustrious ensembles like the Culture Music Club and the Zanzibar Taarab All Stars.
Swahili music from the eastern coast of Africa — Lamu, Mombasa, Tanga, Dar es Salaam, Zanzibar and the Comoros. Archival in amongst contemporary recordings.
Spicy, deep, sensual Arab, Black and Asian styles, lipsmackingly mixed together in classic Taarab — when electric guitars, bass guitars, organs and kit drums kicked orchestral instruments out of bed.
Cream-of-the-crop, fabulous, firing dance music from Dar es-Salaam, rocking between shimmering, swinging guitars and delirious, riffing horns. Check the rest of the series, especially Volume 2.
A form of Sufi music with its roots in the ancient Arab world, surviving only in Zanzibar: slowly building in intensity, with songs and poetry, and passages for dancing, featuring a wide range of percussion.
Three singers a cappella, or with rattle and djembe, emulate the beautiful sound of the insingizi rain bird. Traditional, gospel, warrior-chant and political songs.
Judith Juma’s wonderful mbira playing — shona ritual music, with singing, drum and rattle.
Entertainingly hoarse, pimply and freaked-out garage punk and beat from mid-sixties South Africa, opportunistically entitled.