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Her 1959 LP, with the first run out for signature classics like Hares On The Mountain.

Shirley and her sister recorded in concert in the late 1970s; and a handful of demos from the 1960s.

Their last album, from 1978 — with a stunning reading of Richard Thompson’s Never Again, fine trad like Lord Allenwater, Gilderoy, The Moon Shines Bright, and a medley from John Gay’s The Beggar’s Opera.

1950s recordings by Bob Copper and Peter Kennedy — selected and presented by Shirley Collins in ways weighted towards the social lives and values of the performers.