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In Paris, with Jim Hall, and Buell Niedlinger or Milford Middlebrooks on bass, Billy Osbourne drumming.

The stunning albums Fusion and Thesis — quiet, intense, questing masterworks.

Utterly stupendous music from JG’s long wilderness years — radio recordings freshly dug out from 1965, three years after the austerely avant-garde brilliance of Free Fall kissed goodbye to any chance of a record deal, for the best part of a decade. Hotly recommended.