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Intriguing, breakthrough work from the mid-1960s, like Elegy, in parts too low to hear, or Vespers, reconstituting physical spaces by bouncing pulse waves off walls, floors, ceilings, and Capsule, for aliens.

Fifty feet of wire, miked at both ends, passing through the poles of a large magnet, is set vibrating four times at four different frequencies: a complexity of evocative, ethereal chords.